2007.11.18

Man In A Suitcase

Iowa State University campusIt’s funny how much music knows and how it crafts a relevant soundtrack.

I’m approaching the middle of an eight-day working trip. I haven’t traveled this much since the fall of 1998 when I spent only three of twelve weeks at home. For the occasion iTunes has been taunting me with tunes including So Far Away (Dire Straits), Jet Airliner (Steve Miller), Moving Right Along (The Muppets — I have children, remember) and Man In A Suitcase (The Police), all of which do a great job of reminding me that I’m sleeping in strange beds, rushing around to wait in line, sharing stories with cabbies and then working at a desk in my hotel room until midnight.

Thanks to John Meadows and Erika Werne for their hospitality, Tina and Dave (two of the cabbies), the three ‘crazies’ going to Chicago and Bob (the guy who helped me find the hotel).

Today I leave Ames, Iowa, a quiet and pretty city just outside of Des Moines.

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2007.06.01

DRM-free music 30% more expensive

In a bold move, EMI and Apple are making music by some EMI artists — including Paul McCartney, the Rolling Stones and Coldplay — available on the iTunes music store free of DRM (Digital Rights Management) controls and at a higher quality of audio encoding (256kbps, AAC).

While this looks and sounds like a move in the right direction, there is a cost increase of 102% 30% over the normal iTunes per-song charge.

Update: I mistakenly applied the DRM-free video price as the DRM-free music price — hence the earlier miscalculation of a 102% increase in price.  The correct increase is 30%.  I have corrected the body and title of this post.   Thanks, Marc, for catching that.

2006.12.31

An eye on 2007

Tod Maffin said that the problem with being a futurist is that people hold you to account when you “get it wrong”. So, I will say that this post is a combination of my (ahem) predictions and hopes for 2007.

In no particular order…

1) Podcast and RSS distribution networks will become more influential

They have separated indie bands from those signed to major labels, and they will start to increase the gap between the basement Podcasters and those who produce “gold” or have connections or money — distribution networks will bridge the gap between the producers and consumers via those who can repackage and mass-circulate content to those with influence and large audiences.

2) Apple’s M4A will become widely available

Whether through affordable licensing options or released to the public domain, Apple will make its proprietary M4A file format widely available. In fact, this will be the first step towards Apple making it possible for any portable player to hook into iTunes thus increasing the profile of its powerful online music store.

3) Tracking tools will be developed

Some genius will develop a tool to track and report on Podcast listen details (time of listen, length of listen, fast-forwards, etc…) from a portable or computer player to the creator. Who will be the first? iTunes? Microsoft? iRiver? PodPress?

4) Google will index audio

Google will launch an extremely accurate speech-to-text translator that will index audio content from RSS feeds, leaving PodScope and Podzinger in its wake.

5) Powerful commenting functions

It will become easier for listeners to participate in the conversation when someone rolls out a feature that makes it possible to cache a text or audio comment that will be sent to the Podcast producer the next time the device is synced with a computer.

6) Taking managing the media to the next level

Political parties and companies will eliminate press releases and refuse interviews, replacing them with internally produced Podcasts (audio and video) as a way to manage their public image and press relations. They will create their own reports and sound-bites and publish them through RSS using an open license for reuse by media organizations.

Here’s to the year that was, and the year that will be!

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